![]() ![]() Much of this music sounds more like an "Indiana Jones" score than a Star Wars score. It is powerful, deep, dark, unrelenting, and unforgiving, and I loved every minute of it! This is the section of the score that slaps you across your face and drills you to upright attention. The second reason I rank it as significant is because it is so very powerful. Williams has never delved this deeply into " Omen-esque" music in his Star Wars films. ![]() With the exception of a one-minute piece of dark choral music in Return of the Jedi, Mr. First is that it is an obvious departure from Williams’ scoring for the last three Star Wars films. Even though it occurs early on the soundtrack album, chronologically, it backs up some of the last minutes of the film. ![]() This is the section of music that was actually receiving some radio play before the film was released. Perhaps the most significant piece of the score is track 2, "The Duel of the Fates". Beyond that, similarities to other Star Wars scores are more subtle. Even the segue from the main theme to the next strands of music remains fairly constant. Sleep peacefully: the main theme which has become familiar to millions of Star Wars fans worldwide stays intact as the movie the world has been waiting for since 1983, Star Wars: Episode 1 - The Phantom Menace, opens. ![]()
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